Which Stitch Markers Are Best

When I first took up crochet I didn't have any stitch markers, I didn't even know stitch markers existed. It wasn't long before I knew about them and I learnt the value of using stitch markers, aka stitch savers. That first frustrating experience of when a project accidentally unravels because there's nothing holding onto the stitch to stop it coming undone or your crochet circle grows in ways it isn't supposed to and the worth of this tiny tool became obvious very quickly. But there are so many styles of stitch marker to choose from, locking, circle, coil-less, plastic, safety pins, thread, 3D printed... does it really make a difference which one you use? Is it just how pretty they are? I walk you through a dozen different stitch markers from items you have lying around your home to the fancy artisan styles. I share with you what features to look for and those that don't really hold up to the task.

Bustle - Analysis of Dimensions

Tampico style bustle
1880 Bustle - Met Museum Accession Number: C.I.38.23.282

1880 Bustle

I wish the Met Museum provided dimensions for this bustle, but they haven't so I made some guesstimates.

The creases and folds make it hard to gauge estimates but I gave it a go.


  • Waistband 1 inch to 1 1/2 inches wide.
  • Ties on the front approximately 1/4 to 1/2 inch wide and of twill tape or similar - they certainly curl like twill tape. 
  • Bound edges approx 1/4 inch.
  • 6 rows of box pleats each pleat approx 1 1/2 inches wide.
  • Number of pleats per row:
    • row 1 - 11 pleats
    • row 2 - 10 pleats with a join in the fabric on the second pleat on the left side
    • row 3 - 11 pleats
    • row 4 - 12 pleats
    • row 5 - 12 pleats
    • row 6 - 12 pleats

  • There is a small pleat into the waistband at each side to shape the fabric to the hip, approx 1 1/4 inches forward from the pleated ruffles.
  • The pleats appear to be either longer or less overlapped toward the hem.
  • The length seems to be just below the buttocks.


Stitching can be seen on the underside of the bias binding and look to be large machine stitches with the bobbin threaded in white.

The ruffles are supported by a base fabric. The supporting fabrics can just be seen at the center back hem under the pleats. It looks as though there are 2 layers, one may be a conservation layer, however only the Met could clarify either way.

The weave of the support fabrics is visible. The finer of which is probably a plain cotton or linen, the second layer is possibly a canvas.

The ruffles seem to be of a coarser hessian or horsehair fabric, possibly a double layer and are stitched to the support fabric.

The binding seems to be a slightly finer weave then that of the pleats.

And finally the fabric for the sides and front are most likely a standard undergarment linen.

What do you think the fabrics could be?