Which Stitch Markers Are Best

When I first took up crochet I didn't have any stitch markers, I didn't even know stitch markers existed. It wasn't long before I knew about them and I learnt the value of using stitch markers, aka stitch savers. That first frustrating experience of when a project accidentally unravels because there's nothing holding onto the stitch to stop it coming undone or your crochet circle grows in ways it isn't supposed to and the worth of this tiny tool became obvious very quickly. But there are so many styles of stitch marker to choose from, locking, circle, coil-less, plastic, safety pins, thread, 3D printed... does it really make a difference which one you use? Is it just how pretty they are? I walk you through a dozen different stitch markers from items you have lying around your home to the fancy artisan styles. I share with you what features to look for and those that don't really hold up to the task.

Why bobbin lace and not net?

At the end of my previous post are images from two of the Bronzino portraits of Eleanora di Toledo showing the incredible details Bronzino painted of her cauls and partlets.

In the famous portrait of Eleanora and her son Giovanni, the mesh of her caul and partlet seems to be made of a plaited braid.



Undeniably some cauls were made using filet lace (net) however this technique puts a knot at each intersection and this would cause problems adding the pearls, and if made with a plaited cord, the knots would be quite large.

It is possible one long braided cord could be made then stitched at each intersection however this method would require some pretty invisible stitching, and there would be an effect of one cord being higher then the other at intersections.

To achieve the plaited effect of the cord and intersections that are suitable for adding pearls to, plaiting the cord as the caul or partlet is constructed is the only real  answer to the problem.  I've made up a pattern for a small caul (possibly too small) and it requires about 106 bobbins, that many strands without bobbins would just be unmanageable and tension would also be difficult to maintain. As such I believe bobbin lace is the method which was used.

The other detail images in my last post are from the portrait of Eleanora wearing a red silk gown.


The partlet and caul Eleanora wear with her red gown is of gold picots with a silver stripe down the centre. Possibly cord could be made to achieve this effect using techniques I am not very familiar with but again bobbin lace solves the problem.



In yet another Bronzino portrait of Eleanora with her son Fancesco, Eleanora wears a partlet which again has a plaited look and is mounted on a fine sheer fabric.  Perhaps it was embroidered to get this effect? As to the caul she wears in this portrait I have not been able to get a high enough quality image to see any details.


And in this portrait (after) Bronzino the plaited cording on the partlet again makes an appearance, you can just see the plaiting detail on the caul as well.




Well, I hope I have explained why I think bobbin lace and not fillet lace (net) was used for making Eleanoa's cauls.



  What method do you think was used?

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